Wednesday, June 10, 2020

SME-Conference: John Stevens 80

Let's get this up in honor of one of my influences as a drummer, who'd have been 80 years old today.
When I was about 19 years old, I read a book on improvisation in music and started to get into Free Music.
One of the records that moved me the most -- and still does -- was called Karyƍbin, by a group called the Spontaneous Music Ensemble. It's one of my 20 favorite records ever, really.
I got way into this kind of music for a while, as I was learning about improvisation and discovering that my strengths as a player, if I have any, lay in this area.
Later on in life I got hip to the songwriter John Martyn, and his record Live At Leeds, and was astonished to discover that today's birthday guy was the drummer on that tour. This also became one of my favorite albums of all time.
The common denominator was born this day in 1940 and died in 1994. 
His name was John Stevens, and he was as legendary a figure in non-idiomatic free improvisation -- where it's not intended to adhere to the standard premeditated structures and sounds and devices we are all used to -- as any you could name.
We will celebrate the occasion with a half hour of pristine SME footage, thought lost for decades and only ever broadcast once, on the NRK-TV webchannel.
Spontaneous Music Ensemble
NRK Studios
Oslo, Norway

01 introduction & explanation by John Stevens
02 1-2 Albert Ayler
03 Norway 
04 Tickets Please

Total time: 29:43

John Stevens - drums
Trevor Watts - soprano saxophone
Julie Tippetts - vocals & guitar
Ron Herman - bass

HD FLV file, digitally captured from the NRK website, of a never-broadcast performance from Norwegian TV
514 MB FLV/June 2020 archive link
Look out in this show for the extraordinary vocalist Julie Tippetts, who is in many ways the star of the thing.
I'll be back in a few days and I apologize for being lazy about this page. But do check into this NRK SME extravaganza, and remember the completely unique musician that was John Stevens.--J.
6.10.1940 - 9.13.1994

Thursday, June 04, 2020

Original Synesthetic: Anthony Braxton 75

We'll inaugurate June with the platinum milestone for possibly the most out-there musician and composer of our lifetimes.
His music is quite literally like no other's, ever, and the way he writes it down is like something out of the future.
Active since 1969 on recordings, he's a multi-instrumentalist, a composer of dozens of works, a teacher, a college professor, and a figure almost like no other in modern music I can think of.
The way he notates his stuff, in his own, multi-dimensional graphed language, is a living vision of synestheticism and the visualization of sounds.
I feel lucky to have seen him play in person more than once.
Has there ever been, is there, or will there ever be a Maestro as uniquely expressive and challenging as Anthony Braxton?
To celebrate his 75th today, we'll slot in this fantastically otherwordly 48 minutes of unbridled Free-Jazz-meets-20th-Century-Classical-Music-at-the-home-of-Louis-Armstrong mayhem, taped in 1979 in Germany and featuring a trio he never recorded, premiering one of his most seminal pieces.
Anthony Braxton Trio 
Berlin, Germany

01 Composition #94

Total time: 47:59

Anthony Braxton - alto, tenor & sopranino saxophones, clarinet
Ray Anderson - trombone
Richard Teitelbaum - synthesizer

spectral analysis goes to 20k in places, indicating a pre-FM source of indeterminate origin
212 MB FLAC/June 2020 archive link
I gotta go sort out what's gonna happen in June here, but if society doesn't completely collapse before I can post it all, you bet it will be worth hearing.
Today, though, let's give acknowledgement to one of the most creative and unusual musos of our lifetimes, and get you into these Brax attacks to commemorate his big birthday today.--J.