Saturday, August 16, 2025

Drummer Side of Life: Alvin Queen 75



Robi Botos, Dave Young & Alvin Queen - The Honeydripper


As promised, we're back at the appointed hour to rejoinder the Oscar Peterson centennial flood with a musical compatriot of OP's who is exactly 25 years plus one day younger than Oscar, and who also features the always-attractive attribute of being still alive!

Full disclosure: I'm friends with this guy on Facebook, so I better get this right because he might (gasp) see it.

First, some basic biographicals: Born in the Bronx (like both my parents!), he was onstage with Ruth Brown (why have I never covered her on here? Shameful, I am) by age 16 in the mid-1960s. I think he replaced Billy Cobham in Horace Silver's band when BC went full Mahavishnu, but it might have been sooner than that.

I think it was not long after that that he emigrated to Canada, and then to Switzerland, where he established his own label -- Nilva, an anagram for Alvin -- in 1979.

It's there in Switzerland that he resides to this day, and I always see him in whatever airport or hotel when he posts his exploits and travels on FB.

One of the greatest living OG Jazz cats still doing it at the toppermost level on any instrument, he's been on too many records and played with too many of the world's finest musicians to even begin to list them all, or even a fraction of them, here.

I'm trying to think of the first time I ever heard or took notice of Alvin Queen. I wanna say it was way back in the 1980s, when my friend was obsessed with Charles Tolliver and those 1970s Music, Inc. records on Strata East, and insisted I come along for the ride. It didn't take much further prompting for me to hop in.

Something I truly dig about the rock solid, impeccably conceived and executed drumming of Alvin Queen is the fact that whenever I've come across a picture of him, or seen him on video, anchoring the backline so ably for so many Hall of Fame luminaries, he is almost always smiling the kind of smile that says someone is doing exactly what they want to do in life.

I guess that's one reason why the forces of depredation and evil tried to arbitrarily exile him that time, eh? Maybe after you-know-whore -- there, I said it -- gets done renaming The Kennedy Center for Hulk Hogan, he can get after making sure the unprecedented, knee-shaking terrorist threat posed by The Art Ensemble Of Chicago is taken care of. Oh, what am I saying? He probably thinks Roscoe Mitchell was in The Central Park 5.

Anyway this has precisely naught to do with President Dirty Diaper, and everything to do with the late, extremely great Oscar Peterson, because Alvin Queen -- I almost named this post "The Finest In Swiss Timekeeping," but thought it was too long for the header lol -- was in fact OP's last drummer. And since Oscar Peterson's passing in 2007, he has been somewhat of a keeper of the OP flame, helping organize and participating in several tremendous tribute projects.

One of which took place in 2013, when the Canadian Broadcasting Corporation summoned three superheavyweights associated with Jazz in Canada to come to Montreal to recreate one of OP's most treasured and influential LPs, 1962's Night Train.

There's a pretty fabbo FM capture of this event -- with an announcer talking over the music too often -- that circulates in Bootworld, but after I whipped that version into presentable formation, I discovered that it was missing a whole bunch of the tunes and that the CBC site had it as a stream, complete, and with all the platter and none of the chatter.

This looked no lossier than the shorter iteration of it, so I integrated the salient CBC segments into the longer version and made sure no one is yakking over the songs whatsoever. You even get to hear OP's wife Kelly talk about how he came, at the instigation of Norman Granz, to write the epic Hymn to Freedom that closes the album and this concert.


Robi Botos/Dave Young/Alvin Queen
50 Years On the Night Train
A Tribute to Oscar Peterson's "Night Train"
Victoria Hall
Montreal, Canada
2.27.2013

01 CBC-FM intro
02 C-Jam Blues
03 Night Train
04 Georgia On My Mind
05 Bags' Groove
06 Moten Swing
07 Easy Does It
08 The Honeydripper
09 Things Ain't What They Used to Be
10 I Got It Bad (And That Ain't Good)
11 Band Call
12 Hymn to Freedom
13 CBC-FM outro
14 CBC talk: Kelly Peterson on "Hymn to Freedom"

Total time: 1:18:39

Robi Botos - piano
Dave Young - bass
Alvin Queen - drums

224/48k audio streamed from the Canadian Broadcasting Corporation site @ cbc.ca
converted to 16/44 CD Audio, edited, assembled & slightly remastered by EN, August 2025
CBC segments are inserted from stevemtl's digital capture of a 2020 Canadian Broadcasting Corporation analog FM rebroadcast
demuxed for continuity & edited by EN, August 2025
401 MB FLAC/direct link


This performance is just 97 kinds of exquisite, so I hope my little representation of it does the thing justice. Because all three of the dudes play their everloving asses clean off as they more than do justice to the sacred OP texts they've come to the MTL to radio-render.

I shall return in a week with more pianos and things, but I wanted to celebrate and honor the centennial of Oscar Peterson -- and the 75th birthday of the incredible (not a drum machine) Alvin Queen today -- with some posts and shows worthy of such beautiful Maestros of our epoch.--J.

Friday, August 15, 2025

Montreal Hands On Deck: Oscar Peterson 100



Oscar Peterson Trio - Nigerian Marketplace


We're gonna start off the weekend with the first half of a two-parter, designed to honor milestone birthdays of two Hall of Fame players that are musically interrelated.

To kick it off in the grandest possible style, we have the centenary of, beyond doubt, one of the most universally treasured musicians that has ever lived.

I've wanted to put him up here since I started this page, so today is finally the day! It's cool that after almost 12 years, there are still plenty of this galactic-class caliber of person for me to cover.

If you postulated that he's in the conversation for Greatest Jazz Pianist of all time, you'd not be merely blowing smoke.

Born in the MTL and without question the single most revered Jazzer in the history of Canada, he did things sitting on a bench in front of 88 keys that still leave people with their jaws slack.

When I was studiously hard at work here, assembling this weekend's share fare, there were moments when he'd play a run and I would just laugh out loud at the astonishing speed, dexterity and melodic profile he was conjuring from the air. In between my highly suggestive bouts of Jazz dancing, that is.

It's fun listening to the crowd reactions when he goes off like that, it's pure Rock Star. There were moments whilst whipping these shows into shape when I said out loud, "Jesus Christ, it's as if Art Tatum and Eddie Van Halen had a baby!"

The pure, primal ecstasy in the audience when he breaks free is what happens when the world is at 24 frames a second, and Oscar Peterson -- born this day in 1925 -- is assaulting the keyboard in 48 frames-per-second time.

Can you call a piano player a shredder? There are times when you're sure the whole Steinway was sure to spontaneously combust from what this guy was capable of doing.

Of course, if his attributes stopped at featuring the fastest fingers, he'd just be another pyrotechnician.

The fact that he brought the entire arsenal of chops for millennia, perfect melodic grace and toppermost compositional skills to the table will have folks feasting forever on what he left behind.

OP is one of those figures that words just can't and don't adequately describe, but thankfully there comes a time in these screeds when I have the sense to STFU and let the sounds do the speaking.


Oscar Peterson Trio
Europe 1987/88

I.
Oscar Peterson Trio
Jazz à Juan
Juan-les-Pins
Antibes, France
7.23.1987

01 Falling In Love with Love
02 Cool Walk
03 Cakewalk
04 Who Can I Turn To?/Love Ballade
05 You Look Good to Me
06 Soft Winds
07 Old Folks
08 Nigerian Marketplace
09 The Gentle Waltz
10 Sushi
11 medley: Do Nothing Till You Hear from Me/Take the "A" Train/Lush Life/Caravan
12 Blues Etude
13 Mack the Knife

Total tiime: 1:37:41
disc break goes after Track 07

Oscar Peterson - piano
Dave Young - bass
Martin Drew - drums

digital capture of a 2021 analog France Musique rebroadcast
re-edited for smoother track transitions -- with volume boosted +2 dB throughout 
and intrusive scat-singing remux-reduced 75% -- by EN, August 2025
623 MB FLAC/direct link below

II.
Oscar Peterson Trio 
"ZDF Jazz Club"
Stadthalle Leonberg
Leonberg, Germany 
4.25.1988

01 The Lamp Is Low 
02 Who Can I Turn To? 
03 Love Ballade 
04 Cakewalk 
05 My Foolish Heart/Body and Soul 
06 City Lights 
07 closing medley: I Got It Bad/Satin Doll/C-Jam Blues/Lush Life/Caravan/Blues Etude

Total time: 1:08:19

Oscar Peterson - piano
David Young - bass 
Martin Drew - drums

256/48k audio extracted from a PAL DVD of a digitally captured, stereo European digital satellite broadcast
converted to 16/44 CD Audio, edited, tracked & remastered by EN, August 2025
381 MB FLAC/direct link to both shows


Both these performances date from well prior to Oscar Peterson's stroke that he suffered in 1993, that severely diminished his capacities until his eventual passing in 2007. So he is just at the peak of his powers throughout these concerts, resulting in an energy in the spaces he's playing that simply crackles with fervor.

On a technical note, the Antibes segment had a weird issue in it where (I think it's) the drummer was getting really vocal and grunty in the more driving, uptempo portions of the music, and I guess one of the overhead microphones on his kit picked it up, causing something of a scratchy, annoying distraction. I used the AI stem separation tool to reduce this significantly, but left moments of it at the edge of audibility to preserve what I saw as the authentic emotion of the performance.

Anyway that's a minor point. The major takeaway from 8/15/2025 -- his centennial -- has got to be that there will perhaps never be another piano deity on the level of Oscar Peterson, should the universe live to infinity. Not that OP needs proof, but I'll return in 24 hours to tribute this towering figure -- and another, with whom he often played, who's thankfully still with us -- with yet more in the way of witness.--
J.


8.15.1925 - 12.23.2007

Wednesday, August 13, 2025

Crossing Jordan



Sheila Jordan - The Bird/Quasimodo


I can't help it if all the greats decide to die at once.

All I can do is keep the appropriate and deserved memorials a-flowing.

Tonight's instant immortal passed away 48 hours ago, after a lifetime immersed in her first love: Jazz.

She didn't even begin singing professionally full-time until she was nearly 60 years old, and had been active at it for decades.

She had a whole career as a recording artist since the 1960s, but never went out on the endless tour until 1986, when she started to become a staple live performer of the music around the world.

She started in the 1940s, and by 1942 she had befriended Charlie Parker, and would become, until his death in 1955, one of Bird's closest allies and confidants. And she carried the torch for his music until her last breath.

She eventually married one of his bandmates, and kept his last name when they split a while later.

She and Dizzy never got together, not as far as I know! Cute pic tho. If you were to dub Sheila Jordan one of the principal, binding figures of Jazz or even American music in general, you'd not be merely telling stories.

She's got her voiceprint all over the music of the last 75 years or so, if we're saying the truth behind the headlines.

She reminds me in a way of the iconic pianist and radio personality Marian McPartland, in that she straddled the line between historian and performer as effortlessly as anyone you could name.

One of the last living links to some of the wildest and most revered music that shall ever be, her passing marks the end of an era the likes of which may never be seen and heard again.

Here goes one of her grandest performances, which circulates in Bootworld all chopped up from a 2019 France Musique revisitation, with whole portions of tunes -- and one entire song! -- missing.

Lucky for you, I attached myself, barnacle-like, to the France Musique site long enough to capture it from another rebroadcast entirely, which had yet more rude talking over some of the music.

Fortunately, I was able to Frankenstein a clean version of it together, featuring only the songs where Sheila sings, and whaddaya know?!? You get three additional Paris bonus cuts from four years hence, all crammed onto a single CD like sardines in an extremely melodious tin.


Sheila Jordan
Paris 1992/1996

01 If I Had You
02 I Concentrate On You
03 It Never Entered My Mind
04 The Bird/Quasimodo
05 The Zoo
06 The Very Thought of You
07 You Must Believe In Spring
08 Sheila's Blues
09 Lucky to Be Me
10 Inchworm
11 Buffalo Wings

Total time: 1:19:57

Tracks 01-08: Alligator's, Paris FR 5.9.1992 digital FM capture from a 2019 France Musique rebroadcast
Tracks 01, 07-08 are from a 320/48k stream captured from the France Musique site
converted to 16/44 CD Audio by EN, August 2025
Tracks 02-06 are from a digital FM capture of a 2019 France Musique rebroadcast
Sheila Jordan - vocals
Steve Kuhn - piano & vocals
Jean-François Jenny-Clark - bass
Aldo Romano - drums

Tracks 09-11: Hot Brass, Paris FR 2.9.1996
from a digital FM capture of a 2019 France Musique rebroadcast
Sheila Jordan - vocals
Edouard Ferlet - piano
John Silverman - bass 
Gregor Hilbe - drums

assembled, denoised, edited & remastered by EN, August 2025
531 MB FLAC/direct link


Look out for the all-star band in the main segment of this, with low-end legend J.F. Jenny-Clark especially letting it all hang out on the upright bass.

I'm right back this weekend with what could only be described as a Canadian Jazz Orgy, but don't you dare sleep on Miss Sheila Jordan and her pals putting in the work here. May she rest in peace, and in the firm knowledge that she used her time on Earth to elevate some really essential sounds to within a whole lotta necessary earshot.--J.


11.18.1928 - 8.11.2025