You're probably wondering what happened to me. The answer is I had (still healing) a wicked infection from an ingrown fingernail and I can't really type or use a mouse too good. Hence the hiatus.
I also got a 256GB SD card for my phone and I'm stocking it out with all the best FLACs, not easy when you have 14TB of music. It's slow going with just one hand, as any chronic masturbator will tell you.
I've got some pretty fucked up stuff lined up for June, though... starting with this guy here and a kind of music I never cover.
Today's 71st birthday boy split this plane a little while back, but whilst here and picking he was at the absolute forefront of the reinvention -- and repopularization -- of Bluegrass music.
Possibly the jazziest picker the genre will ever see, he pushed the music to embrace more open-ended improvisation and virtuosity, almost like Jazz played with instruments normally associated with Bluegrass.
This was called Newgrass, such was its evolution beyond the standard norms for the form.
Of course, to do this kind of exploration you'd have to be an eyepoppingly tasteful guitar player, with a command of music far beyond any single style or genre.
Which is precisely what Tony Rice -- born this day in 1951 -- was, and with ample brilliance to spare too.
To celebrate this mighty and (mighty underrated) axegrinder, we're gonna serve up one of his classic shows here, that's been around for years in kind of a flawed state, but which I've sort of cleaned up to make it the very best it can be.
01 Brooks
02 Gypsy Swing
03 My Favorite Things
04 On Green Dolphin Street
05 Old Gray Coat
06 Night Coach
07 Dead One
08 4 On 6
09 Common Ground
Total time: 51:25
Tony Rice - guitar
John Reischman - mandolin
Todd Phillips - bass
Fred Carpenter - violin
soundboard capture of indeterminate origin
sounds like a master reel
tape damage in Track 01 and clipping throughout repaired by EN, December 2020
295 MB FLAC/June 2022 archive link
295 MB FLAC/June 2022 archive link
My finger is almost better, so I will get after brewing up the next thing, which I've got scheduled for Saturday and which could not, were it to come from 344 light years away, be any more different than this Tony Rice show.