
Happy '26 to my 3 readers, and welcome to the first missive of the young year, the third consecutive in honor of three German Fusion stalwarts!

Today we're renewing our Passports with a necessary tribute to the founder of one of Europe's greatest Jazz-Rock ensembles, who sadly left this mortal coil in October, after a long career straddling the liminal borders between Bebop and the backbeat.

A classically trained player and originally primarily a tenor saxophonist, he began in the 1960s and quickly became a leading light of German Jazz.

It was in 1971, however, that he really began to achieve international acclaim, when he formed Klaus Doldinger's Passport -- usually just called Passport for short -- and began to churn out banger after banger LP with that cooking ensemble.

There are others worthy of the crown -- we spoke of Wolfgang Dauner's Et Cetera a couple of days back, and of course Ian Carr's Nucleus and Barbara Thompson's Paraphernalia are in the conversation -- but Passport might be the winner when we're talking about What's The Best European Fusion Band Ever? type questions.

Maybe the bigger query is why all those groups I just mentioned have their leader's name at the front, is that a weird coincidence or what? I thought that sort of branding was reserved for Don Kirshner's Rock Concert, but what do I know?

I should mention here, apropos of nothing, that the main drummer of 1970s Passport -- a madman named Curt Cress -- is one of the most underrated cats in music history. So blazing he makes Billy Cobham sound like Tiny Tim. He's not on today's share, having already gone solo by 1979, but rest assured he is beastly to the exponential power of devastating.

Meanwhile, back at today's honoree, he's also well-beloved for scoring two very different 1980s films: the dystopic submarine war psychodrama Das Boot and the flighty fantasy flick The Never-Ending Story. Too bad he died, because I was hoping for a sequel that melds those two movies, and he would have had to do the music.

Anyway this show I'm sharing has circulated in various less-than-complete and often crappy-sounding iterations, with most cutting out just as guitar maniac Larry Coryell arrives to sit in for the finale.

I've managed to grab an off-air cassette that contained that last bit, and spliced it onto the preFM main portion of this at the appropriate point to make the complete thing.

Another unusual side note of exactly zero significance: in the early 1980s I was a summer camp counselor at a camp in Roslyn, and every morning on the bus route where we'd pick up the kids, we'd drive right by My Father's Place, as iconic an East Coast concert spot as will ever exist. I think it may have just reopened, actually.

Klaus Doldinger's Passport
My Father's Place
Roslyn NY
5.26.1979
01 WLIR-FM introduction by Michael Ross
02 Big Bang
03 Bird of Paradise
04 IguaƧu
05 Ataraxia pts. 1 & 2
06 Dreamware
07 Good Earth Smile
08 Gates of Paradise
09 Guna Guna/Blues for Klaus
10 sax interlude/Bahia do Sol
11 Sambukada
12 Schirokko
Total time: 1:27:52
disc break goes after Track 08
Klaus Doldinger - saxophones, clarinet & keyboards
Willy Ketzer - drums
Dieter Petereit - bass
Hendrik Schaper - keyboards
Kevin Mulligan - guitars, keyboards & vocals
Larry Coryell - guitar (Track 12)
WLIR-FM master or 1st gen pre-broadcast reels of indeterminate origin
last 2 1/2 minutes of show pitched and patched from an off-air cassette of indeterminate origin & generation
assembled, edited, repaired & remastered for unity by EN, October 2025
610 MB FLAC/direct link
610 MB FLAC/direct link

Mr. Doldinger would've been 90 coming up this May, but I had this ready to go when he passed a few months ago and then other stuff happened. I didn't wanna wait another 5 months, so I paired it up with Dauner and Herbolzheimer, as that seemed an appropriate Teutonic Triple Play of German Jazz-Rock grooviness to close one year and start another.



No comments:
Post a Comment